MOONApplication · Quad Lock
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Daniel Sanders, Road to Dakar 2025, shot by Moon add assets/hero.jpg
Content & Social Media Specialist

Content that makes people feel part of the ride.

Shot, edited and published end to end. I ride and drive the categories Quad Lock lives in, and I already know the brand from the inside.

Pick a tile, swipe, or use the arrows
My video letter
The work

Watch before you read.

A short set, shot and cut end to end, across the communities Quad Lock serves.

Drea music video, directed and edited by Moon
Drea · music video
End to end: multi-cam, audio, edit, grade
Skatepark film by Moon
EdinPark · skate
Shot and cut on location
Boxing edit by Moon
Nas · boxing
Fast-paced edit
Yanisport, Sweat and Talk, edited by Moon
Yanisport · Sweat & Talk
Edit for a creator at 200k plus
Drea, second music video, directed and edited by Moon
Drea · music video
Directed, shot, edited, graded
The fit

Every part of the brief, covered.

The role asks for four things. Here is each one.

01

Content Creation

Concept to publish, in-house. Photo and short-form, shot, cut and graded for every platform.

02

Social Media Management

The calendar, run end to end. Scheduled in Buffer and Odoo, and answered in the comments.

03

Audience & Performance

Data before the shoot. Dashboards show what is trending, so the work meets people already looking.

04

Community & Culture

I am already part of these communities. Driving and cycling are my weekends, and I shoot the rest, including creators like Yanisport, at 200k plus.

CASA-accredited drone operator Insider who knows the content library Builds the tools that keep us ahead
The bar, set by brands who share our audience
+6M / yr
Instagram followers in a year, on content
~80%
of social photos made by the community
75+ films
and ~70% of direct traffic from content
Creator-led
gear in the world's filmmakers' hands
Every one grew on community-led, video-first content. That is the lane Quad Lock can own, and the work I would make.
Public figures, 2025-26. Full sources in the brief.
The approach

Every platform, end to end.

How I shoot, cut and ship, day to day, tuned to each platform the job names.

TikTok
ReasonWhere discovery happens. One mount clip can travel far past our followers.
AudienceYounger, discovery-led riders and the curious.
ContentPOV mount clips, fast hooks, trend-attached.
Instagram
ReasonOur home base, where owners post their setups and tag the brand.
AudienceThe core community: owners and followers.
ContentReels, carousels, Stories, creator collab posts.
YouTube
ReasonWhere buyers research before they buy, and films keep earning for years.
AudienceHigh-intent buyers and subscribers.
ContentHow-to-mount guides, athlete films, Shorts.
X
ReasonThe real-time feed, fastest to react when news breaks.
AudienceMotorsport and tech, in the moment.
ContentFast reaction clips, replies in voice.
Facebook
ReasonThe widest reach, and where owner groups gather.
AudienceBroader, older riders, strong in the EU.
ContentLonger cuts, French and EU versions.
LinkedIn
ReasonWhere the brand earns credibility with industry and talent.
AudienceThe trade, partners and future hires.
ContentBehind-the-shoot and partnership video.
01Pre-productionCalendar, trends, shotlist, talent, ratios.
02ProductionMulti-cam, drone, mount. Every ratio in one shoot.
03PostResolve and Premiere. Grade once, cut per platform, EN and FR subtitles.
04PublishBuffer and Odoo. Native timing, tailored captions.
05CommunityComments, DMs and mentions, in the brand voice.
06ReadWhat landed feeds the next plan.
About
Moon

I want this role, and I have worked toward it. Content is the work I am built for, and after a year and a half inside Quad Lock I know the products, the communities and the voice. Full-time, that is a maker already up to speed: shooting, editing, running the channels, reading what lands, and answering in the comments, for the categories I already ride and drive. Quad Lock moves faster, and I get to do my best work for a brand I believe in.

Why move from the AI work into content? Because content is my craft and the reason I picked up a camera. The systems work was the detour that made me a sharper hire, and the auto-tagger hands over cleanly to Cam. This is me coming back to what I do best.

What being inside already brings. A drone on a rider, an athlete shot, or the exact clip pulled from the library this week. Access, accreditation, and a year and a half on the team.

And easy to hand work to. Give me a brief and it comes back shot, cut and on brand, so the calendar stays full and the vision ships faster.

Beyond Quad Lock, I produce for clients. I shoot and cut for creators like Yanisport, at 200k plus, and for brands like Aluvers, who design premium louvred pergolas for outdoor living.

Tools
DaVinci Resolve (5y), Premiere Pro (3y), Lightroom and Photoshop (3y), Canva
Scheduling
Buffer, Odoo Social Marketing
Drone
RPA Operator Accreditation, CASA (valid to 2029)
Education
Master's, Integrated Marketing Communication, Montpellier Business School
Based
Melbourne, Australia
Talk about the role
Private application for Quad Lock · Please do not share